Category Archives: Ideas

The Quarrymen, Kensington – That’ll be the day

There is more than enough information out there regarding the recording of the pre-Beatles’ first disk ‘That’ll be the day’ / ‘In spite of all the danger’, recorded as The Quarrymen at 38 Kensington, Liverpool in 1958. Excellent websites, linked below, tell the story of Mr Percy Phillips, the man who recorded John Lennon, Paul McCartney, George Harrison, John ‘Duff’ Lowe, and Colin Hatton for the session.

The date on the plaque above the door reads 14th July 1958. It is stated in an interview with Percy Philips’ grandson Peter on the below website that this is an error, and the actual date of 12th July 1958 is recorded in the studio logbook. He goes on to say however ‘we’ll never know’, and according to Lewisohn (All these years, Volume 1: Tune In, p.178), how this July date has been arrived at has never been convincingly demonstrated. Recollections on the date may vary, but Colin and Duff both have a clear recollection of standing together on Kensington, holding the prized discs in their hands and just staring at it (Tune in, p.180).  I’ve been interested in capturing this day – whenever it was, and it doesn’t really matter – for a while and I’ve included here study progress to date, still to be worked up to a bigger picture but an approximate vision of what I think the scene outside No. 38 following the session could have looked like.

This is a painting project to tie histories together. Kensington was home for many years to several strands of my father’s family. The Biggar and Grist families lived in the parallel streets of Guelph Street and Renfew Street, where my nan Isabella Biggar grew up in the 1900’s. (Guelph Passage is where the light shines through in the painting). An auntie, Carrie Grist, was well known in the pubs of Kensington and Low Hill up until 1957, a year before this scene, and relatives still lived in the area up until the 1980s.

Tantalisingly, a second session took place at the studio in 1960 (Tune In, p.180), this time with just John, Paul and George with Arthur Kelly tagging along. The disk featured a recording of a new Lennon / McCartney original ‘One After 909’. Recorded 10 years before its official release on the ‘Let it Be’ album, this second 12” disk is lost.

For more information:

https://www.phillipsacetates.com/

The Quarrymen at Kensington, 1958

A sad and silent mystery…

After a slow start last year,  this post welcomes in the new year and will hopefully be the first of many in 2015. Having spent a few of those quieter and slower Christmas moments sorting through some old sketches at home, and thinking about possible projects for the forthcoming year, I dug out these two watercolor sketches from 2012. The idea was abandoned at the time, but the story behind them is an interesting one.

Sketch for The Final voyage of the MV Joyita, Watercolour, 2012

I have been fascinated, and at times haunted, by the tale of the MV Joyita since I read about it in a ‘Great Unsolved Mysteries’ book about historic enigmas when I was about 8 or 9. The tragedy can lay claim to being the Mary Celeste of the 20th Century, although with added drama and pathos as the story of the main protagonists could be taken from a Hollywood movie.

Joyita sketches, 2012

Three of the main players in the Joyita Mystery, including the enigmatic Captain, Thomas ‘Dusty’ Miller, sketched in my copy of Robin Maugham’s ‘The Joyita Mystery’ from 1962.

The bare bones of the story are that in October 1955, a 69-foot motor vessel with 25 people on board disappeared on a routine trip to Fakaofo in the Tokelau Islands in the South Pacific. Long overdue and with no distress message received, an extensive air and sea search was mounted but revealed no trace of the boat. Five weeks later and hundreds of miles off course she was found drifting, waterlogged and listing in the empty ocean. Most dramatically of all, when she was boarded by crew from the Gilbert Islands boat Tuvala, there was not a soul aboard her dead or alive. With no clue left as to what had happened or their whereabouts, none of the 25 people on the vessel were ever found.

Sketch for The Abandoning of the MV Joyita, Watercolour, 2012

Anyone wishing to discover more, I recommend David G. Wright’s book ‘Joyita – Solving the Mystery’ (Auckland University Press, 2002), which gets to the heart of many issues surrounding the case, but leaves some of the mystery in tact. In the meantime, keep you eyes peeled here for progress on the paintings over the course of the year. SI